Gettysburg Address -- ". . . a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal.

Memorial in Gettysburg N. P. designating site of Lincoln's famous address 150 years ago today, Nov. 19, 1863.

Thoughts on The Gettysburg Address, delivered by Abraham Lincoln at Gettysburg, Pennsylvania, on November 19, 1863

Lincoln's Gettysburg Address. Nearly all Americans know the opening of this speech: "Four score and seven years ago . . . . "

Garry Wills's "Lincoln at Gettysburg" does the math on this opening line. We all should. Subtract "four score and seven years" from 1863 and what do you get? You get 1776. After his now famous opening line, Lincoln continues, " our fathers brought forth, upon this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal."

The U. S Constitution, written in 1787, ratified in 1788, was not our founding document. The Declaration of Independence of 1776 was. There is where we find the guiding philosophy underpinning our new nation.

Conservatives always, and Trumpists today, revere and use to their power-hungry advantage the minority control elements in the Constitution--the electoral college, the two senators for every state, daunting ratification hurdles, even the acceptance and support of slavery in its later, racist configurations. The very concept of "democracy" puts them on edge, creates strains of denial in their thinking, dangerous defenses in their actions.

It can all be confounding, perplexing. Many of us were taught from elementary school into high school to revere the Constitution as a genius created "bundle of compromises," even a permanent, almost god-given, document. It's not. Maybe for the day (eleven score and fifteen years ago), but not for the ages. Lincoln ended his great speech at Gettysburg with this admonition: "[we] shall have a new birth of freedom and that government of the people, by the people, for the people, shall not perish from the earth."

It's time. Again.

I guess you have to live somewhere.

F. Scott Fitzgerald's Gatsby-like mansion.

Gatsby, one more time!

GO HERE

The Great Gatsby now -- podcast discussion

The Great Gatsby now Jun 01, 2012 - 5:46 pm
In 1926, LP Hartley called The Great Gatsby “an absurd story”. Now, it is hard to imagine that F Scott Fitzgerald’s 1925 novel was ever considered less than a masterpiece.

And it seems particularly popular in our recessionary times – with the remarkable eight-hour play Gatz having had rave reviews in York, and now about to open in London; and Baz Luhrmann’s film version starring Leonardo DiCaprio and Carey Mulligan released later this year.

Jan Dalley talks Gatsby mania with Sarah Churchwell, Professor of American Literature at the University of East Anglia; Mark Ball, artistic director of the London International Festival of Theatre; and the critic Matt Trueman.

[Discussion on Financial Times web page]

podcast is here

Gatsby in the movies -- again.

Another Great Gatsby movie coming your way.

GO HERE FOR TRAILER

Bill Nack: The closing lines of "The Great Gatsby"

Fitzgerald's classic  final lines.

Man Meets Book!

If you STILL haven’t gotten around to reading The Great Gatsby, here’s an interesting option.

Borne Back Ceaselessly Into the Past
By BEN BRANTLEY

The most compelling love affair being conducted on a New York stage this season isn’t between a man and woman. (Or a man and a man, a woman and a woman or a boy and a horse.) It is between a man and a book.

“Gatz,” the work of singular imagination and intelligence that opened Wednesday night at the Public Theater, chronicles one reader’s gradual but unconditional seduction by a single, ravishing novel. That novel happens to be perhaps the finest written by an American, “The Great Gatsby,” F. Scott Fitzgerald’s 1925 tale of pursuing the unattainable in the Jazz Age. . . .

Go here for full "Gatz" review

Gatsby’s Green Light Beckons -- Oh, Really?

New York Times
February 17, 2008
Gatsby’s Green Light Beckons a New Set of Strivers
By SARA RIMER

BOSTON — Jinzhao Wang, 14, who immigrated two years ago from China, has never seen anything like the huge mansions that loomed over Long Island Sound in glamorous 1920s New York. But F. Scott Fitzgerald’s 1925 novel, “The Great Gatsby,” with its themes of possibility and aspiration, speaks to her.

She is inspired by the green light at the end of the dock, which for Jay Gatsby, the self-made millionaire from North Dakota, symbolizes the upper-class woman he longs for. “Green color always represents hope,” Jinzhao said.

“My green light?” said Jinzhao, who has been studying “Gatsby” in her sophomore English class at the Boston Latin School. “My green light is Harvard.”

Some educators say the best way to engage racially and ethnically diverse students in reading is with books that mirror their lives and culture. But others say that while a variety of literary voices is important, “Gatsby” — still required reading at half the high schools in the country — resonates powerfully among urban adolescents, many of them first- and second-generation immigrants, who are striving to ascend in 21st-century America.

“They all understand what it is to strive for something,” said Susan Moran, who is the director of the English program at Boston Latin and who has been teaching “Gatsby” for 32 years, starting at South Boston High School, “to want to be someone you’re not, to want to achieve something that’s just beyond reach, whether it’s professional success or wealth or idealized love — or a 4.0 or admission to Harvard.”
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For full story go here


Robinson G. Meyer wasn’t buying all this striving.
To the Editor:

''The Great Gatsby'' is no Great American Fable of accomplished dreams; it is a cautionary tragedy. Its characters discard their morals to attain pleasure or to quench their ambitions, and, by the novel's end, they all wind up hollow and disaffected.

As a high school junior, I see many students make the same mistakes today. In the pursuit of the false happiness that a Harvard acceptance will bring, students' ethical standards buckle. They cheat on tests. They lie on résumés. They live by mottos like ''Get Rich or Die Tryin'.'' Then, suffering from the same malaise as the characters in ''Gatsby,'' they fry brain cells over the weekend.

This is why I am extremely dismayed that Boston Latin students interpreted F. Scott Fitzgerald's masterpiece to be ''inspirational'' and ''hopeful.''

''The Great Gatsby'' is our greatest testament to the perils of the American Dream, and my favorite book. Have they missed its point?

Robinson G. Meyer
Pennington, N.J., Feb. 18, 2008
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And all this raises again the question of great literature being about maps or growth.

Scottie Fitzgerald Takes Her Father's Measure

Here's what Frances Fitzgerald Lanahan (Scottie)-- Scott and Zelda's daughter --has to say about the role of writers in our society:

"Good writers are essentially muckrakers, exposing the scandalous condition of the human soul. It is their job to strip veneers from situations and personalities. The rest of us accept our fellow beings at face value, and swallow what we can't accept. Writers can't: they have to prod, poke, question, test, doubt, and challenge, which requires a constant flow of fresh victims and fresh experience."

Does she nail F. Scott Fitzgerald, the writer, or miss the mark?

Scottie is on the right in this photo. Is she out of step with her famous parents? Don't be too quick to judge.

Gatsby for the Grad

Out of ideas on what to say on that graduation card to the nephew you haven’t seen in three years? The one who (somewhat amazingly by most family estimates) now has his diploma in hand and is finally leaving Old Siwash U.? Because the chances are good that he spent more time playing around on the computer than reading the books assigned in his general education literature courses, here’s a not so gentle hint you could send his way.

Send him to this page on the web site “gradspot.” There he will find suggestions that a newly minted grad burdened with serious student loan debts and a serious reading deficit to match might find useful. "gradspot," in the fashion so popular today, promotes fixes based on style over substance. Here’s their pitch on handling the pesky book display problem twenty-somethings face.
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25 Books That Look Good and Read Even Better
Building a sexy library

By Orli Van Mourik

“After graduating college, I found my new Ikean bookshelves filled with nothing but books from various classes in Victorian Lit (all of which were marked with a big orange “Used” sticker) and several well-thumbed copies of US Weekly. Though my collection did manage to bring to the fore a couple of potential suitor’s obsessions with Britney’s latest drinking binges or the use of simile in Charlotte Bronte’s Shirley, I wanted a library that inspired sexy pseudo-intellectual banter, not just weed out the weirdos. So I started by building one book at a time, and I eventually came up with what I think is the best androgynous library for looking (and maybe even being) sexily smart.”

And which book leads this hot, I mean Hot! list? What is the sure fire open sesame book to “sexy pseudo-intellectual banter”? Right. You guessed it. It’s The Great Gatsby.

And, in homage to the reading-challenged undergrad’s staff of life, CliffsNotes, "gradspot" dishes up this breezy synopsis:

“Gatsby loves Daisy, but Daisy’s married to Tom. Tom loves Daisy, but he’s having an affair with Myrtle. Tom confronts Gatsby and Daisy. Daisy and Gatsby leave in a tizzy, mowing down Myrtle on their way home. Melodrama ensues.”

Then "gradspot" chips in with this deeply felt “Reason to read.” And don't you think Myrtle's sister would get it?

Reason to read:

“This short novel reads like an incredibly erudite episode of 'Days of Our Lives.' Fitzgerald paints an indelible picture of the glamour, gaudiness, and depravity of the roaring ‘20s that’ll make us feel a little bit better about our own drinking and carousing.”
_______________________
Hope the nephew appreciates your thoughtful graduation advice. If he sees value rather than humor in this instant library recovery project, I suggest you forget about including a check with the card–-it's clear the young grad would only use the long green in the clubs. He quickly learned in college that books and reading made his head hurt more than hangovers.

The Great Gatsby Public Service Announcement

This PSA supporting The Big Read has been modified for participating reading communities across the country. Do you think it catches the essence of what Gatsby is about? The readers in the PSA are all certain that they "Love this book!" but, after all, this is an ad. If you "love" this book, try writing a short PSA that gets at what you love about it. Or, on a more ambitious level, produce a video (30 sec. to 1 minute in length) that can be posted on this site. [I can download YouTube videos. That's the full extent of my technical expertise.]

The Great Gatsby, “Discontinued Title”

"As the cover of this 1934 Modern Library edition stamped “Discontinued Title” suggests, The Great Gatsby was never a commercial success during Fitzgerald’s lifetime. In a 1936 letter to the series’ editor, Bennett Cerf, Fitzgerald blamed Gatsby’s failure on its size, noting consumers’ preference for bulky books. Eleven years after its first publication, Fitzgerald estimated that The Great Gatsby had sold fewer than 25,000 copies in America, excluding the weak sales of the Modern Library edition. Fitzgerald suggested Cerf include the weightier Tender Is the Night alongside Gatsby in the Modern Library line (Letters, pp. 557-558). However, as this cover shows, Modern Library not only declined to pick up Tender, the publisher also discontinued Gatsby.

"The Modern Library reprint is noteworthy for Fitzgerald’s introduction, which includes his defense of his subject matter: “. . . I had recently been kidded half haywire by critics who felt that my material was such as to preclude all dealing with mature persons in a mature world. But, my God! it was my material, and it was all I had to deal with” (p. ix)."
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This is from the F. Scott Fitzgerald Centenary website which was launched in 1996, the 100th anniversary of his birth. The site is designed to increase awareness of a great American writer and to celebrate his writings, his life, and his relationship with other writers of the twentieth century. The website draws extensively on books, photographs, and related materials in the Matthew J. and Arlyn Bruccoli Collection of F. Scott Fitzgerald at at the Thomas Cooper Library, University of South Carolina. GO HERE to enjoy this amazing resource.

Terre Haute Tribune Star Big Read Column

Gary Daily, "More than thousand copies of The Great Gatsby are circulating in Vigo County"

“Born originals, how comes it to pass that we die Copies?”— Edward Young, 1742

GO HERE for column

Terre Haute Tribune Star Big Read Column

Gary Daily, "The Big Read about enticing all of Vigo County to read novel"

GO HERE for column

Can You Tell a Book By Its Cover?

"Francis Cugat’s painting for F. Scott Fitzgerald’s The Great Gatsby is the most celebrated and widely disseminated jacket art in twentieth-century American literature, and perhaps of all time (see above). After appearing on the first printing in 1925, it was revived more than a half-century later for the “Scribner Library” paperback edition in 1979; more than two decades (and several million copies) later it may be seen in classrooms of virtually every high school and college throughout the country. Like the novel it embellishes, this Art Deco tour-de-force has firmly established itself as a classic. At the same time, it represents a most unusual, in my view, unique form of “collaboration” between author and jacket artist. Under normal circumstances, the artist illustrates a scene or motif conceived by the author; he lifts, as it were, his image from a page of the book. In this instance, however, the artist’s image preceded the finished manuscript and Fitzgerald actually maintained that he had “written it into” his book. But what precisely did he mean by this claim?"

Read the full and fascinating article on Cugat's cover art for the first edition of Gatsby, "Celestial Eyes: From Metamorphosis to Masterpiece" by Charles Scribner III GO HERE.

The challenging question Scribner poses remains: ". . . Fitzgerald actually maintained that he had 'written it [the cover art] into' his book. But what precisely did he mean by this claim?"

Comments and interpretations welcomed.

Terre Haute Tribune Star Big Read Column

Gary Daily, "Raise your own questions; make ‘Gatsby’ your book" GO HERE for column

Did Fitzgerald’s famous kiss sell perfume or something else?

Jay Gatsby spared no expense on his parties, his rainbow of silk shirts came from England and his cream finished and silver-plated automobile makes a garage full of James Bond vehicles sound like they’re something straight off of a used car lot. And Daisy’s voice? Well, it sounds like money.

Conspicuous consumption, everything from lap dogs to gilt-edged bonds, all priced for a moment’s pleasure or the leverage of power, runs through The Great Gatsby. Maybe this Obsession commercial is about more than The Kiss and those tuning forks, stars, and blooming flowers. Or, the smell of the stuff.

Nick Carraway observes part of what all of this getting and spending might mean:

“They were careless people, Tom and Daisy — they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made…”

And then there was this assessment: "I make my money by supplying a public demand. If I break the law, my customers who number hundreds of the best people in Chicago, are as guilty as I am. The only difference is that I sell and they buy. Everybody calls me a racketeer. I call myself a businessman." – Al Capone, 1929

Any thoughts on the materialism and meretriciousness found in The Great Gatsby versus the values we live by today?

Terre Haute Tribune Star Big Read columns

Gary Daily : ‘Time’ is most frequently used ‘excuse word’ for not reading GO HERE

Stephanie Salter : At age 82, ‘Gatsby’ still rocks GO HERE

"Bernice Bobs Her Hair"

A film version of Fitzgerald's 1920 short story "Bernice Bobs Her Hair" will be shown Tuesday, Feb. 27, 6:30 pm, at the Indiana State University Library. In this clip, Marjorie is instructing Bernice on how to be a "modern" young woman--especially in terms of attracting men. The story in print has a darker edge than the film version. The film opens up the story and includes more laughs. Both indicate how society and gender roles were changing in the 1920s. In interesting ways, story and film raise the question: How really different are things today as compared to the Roaring Twenties Fitzgerald depicted in his art and his life?

Read the story, see the movie. And submit comments and questions here.

Terre Haute Tribune Star column on The Big Read

Terre Haute Tribune Star --Sunday, Feb. 18, 2007

Gary Daily : "The Big Read Comes to Vigo County--and not a day too soon"

Go Here for column